ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

RANGAYAN ON THE JURY OF TWO SEATTLE FILM FESTIVALS

Sridhar Rangayan will screen three of his films at Tasveer South Asian Film Festival, also serve as jury. Besides that, he is member of jury at...

TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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BREAKING NEWS, BROKEN PEOPLE

In the wake of the communal calls of the Right-Wing groups of Uttarakhand, telling the Muslim community to leave Purola or face dire consequenc...

FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28^th Ma...

SHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES

Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see t...